She’s Wildewoman #7: Every Friendship Needs a Playlist
A Special Radio Edition of Drawstring Magazine’s Music Column
By Allison Parssi & DJ Etamame
“It’s hard to remember who we were that night at Dayo’s house before we were friends. Not only because it was a long time ago, but also because we have changed each other in countless ways, from the profound to the imperceptible. We didn’t just meet each other last night. We began the process of making each other into the people we are today. Although we’re self-confident enough to know that we would have been great if our paths had never converged, we cannot imagine what that alternate reality looks like. It’s impossible to untangle us.”
Reading these words from Aminatou Sow and Ann Friedman in their new book Big Friendship: How We Keep Each Other Close, I immediately thought of my best friend, Eta. We met in our freshman year of college through our college radio station and became inseparable once we made our first connection. Through our love of music, we developed a deep, lasting friendship that has carried us through difficult periods and monumental changes in each of our lives. We’ve lived roughly 1,200 miles apart since 2016. We knew that our relationship would change from seeing each other almost every day to texting and phone calls, but neither of us were worried. We had put in the work to be a part of each other’s lives up until this point and that wasn’t going to change.
Naturally, both of us were reading this book at the same time and talked about it profusely in our phone calls. We talked about the parallels Aminatou and Ann had to us. We revealed our versions of our origin story to one another and recalled how we navigated and supported each other in challenging situations. One thing that became very obvious was how music was always at the center. A concert was the starting point of our friendship, radio was how we were able to see each other, and keeping active collaborative playlists is one way we keep in touch. As Eta so beautifully wrote to me, “Music was our introduction, has been our development, and continues to be our metaphor: harmonious notes in the same chord, we swell into a richer sound when we’re together.”
For this issue of She’s Wildewoman, I asked Eta to have a conversation with me to talk about our friendship. She immediately agreed and even grew that idea by proposing to host a pre-recorded radio show together. We tell our story alongside the music that has brought us to where we are today. We had the best time making this. We both hope that you enjoy listening to it just as much as we enjoyed talking with each other.
You can listen to the conversation here on Drawstring or on Wildewoman’s Mixcloud. A track list and transcription of the conversation are below.
Track List
“Fast Slow Disco” - St. Vincent (Steffi Remix)
“Man in My Radio” - Lucius
“Woman” - Nao & Lianne La Havas
“Need Your Love” - Tennis
“Honey” - Robyn
“Everything Is Embarrassing” - Sky Ferreira
“Cheap Queen” - King Princess
“BETTY” - Jamila Woods
“Silent Disco” - Starchild & The New Romantic
“But There’s Still the Moon” - Tasha
“Inner World” - Dirty Projectors
“Give No Fucks” - DRAMA
“Glitter and Blood” - SuperKnova
“Home” - Dan Croll
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Transcript
Allison Parssi [AP]: Welcome to She’s Wildewoman! I’m Allison Parssi...
Eta [E]: And I’m Eta, DJ Etamame...
AP: here to bring you a very special radio edition of Drawstring Magazine’s music column.
[Play Steffi Remix of “Fast Slow Disco” by St. Vincent]
AP: Hi Eta!
E: Hi Allison!
AP: How are you this morning?
E: You know, I’m wonderful ‘cause I’m talking to you and that just makes my day.
AP: I’m in the same place.
E: [laughs]
AP: I’m Allison Parssi, writer of the She’s Wildewoman column of Drawstring Magazine. My DJ name is Wildewoman when I am on the radio at CHIRP 107.1FM or out in the real world… And I’m also an Assistant Music Director at CHIRP.
E: All beautiful things… I am Eta, I go by DJ Etamame, best friend to Allison Parssi and I currently host a radio show on WFIT 89.5, which broadcasts from the Space Coast of Florida. Very honored to be a part of this music column.
AP: We’re taking the time to talk about our friendship today. Honestly, we unintentionally did a book club with each other... So, both of us pretty regularly listen to a podcast called Call Your Girlfriend. Hosted by Aminatou Sow and Ann Friedman and it’s a podcast of two best friends who live across the country from one another talking about things. And they wrote a book recently called Big Friendship. We naturally read the book at the same time.
E: [laughs] Yeah, this book came out in July of this year.
AP: You got the book before I did and I definitely had to do some fast reading to catch up to you.
E: Which is funny because I also held back knowing that I wanted you to be having sort of similar reactions with me as I’m reading the chapters.
AP: It just made me think how music connected us from the very beginning, how it still connects us. I just wanted to kind of talk to you about it for Drawstring this go around. This whole show is going to be a combination of us talking about our friendship and playing tracks - things we’re paying attention to right now and things that have been important in our friendship… Before we talk more about how we met, let’s kind of set our radio mood. And we’re going to start out with a new one called “Man in My Radio” by Lucius, one of my all time favorite bands. I’m gonna say that we both love them because, uh, we do.
E: I absolutely, yes, agree.
AP: The two front women of this group, who are just so beautiful, they harmonize everything. I can literally go on about them forever, but I will refrain and I just want to say that I freaked out when I saw that they released this new track.
E: We both attended Lucius’s virtual concert and I remember my jaw dropped when this track came on. Just that intro hit and I was like “Oh, this is good.” So, very good choice to start us off.
[Play “Man in My Radio” by Lucius]
[Play “Woman” by Nao & Lianne La Havas]
E: You’re listening to the radio edition of She’s Wildewoman, episode 7. You just heard a track from Nao and Lianne La Havas called “Woman.” They’re both British singers that Allison and I follow pretty regularly.
AP: It’s such a good collaboration. I just appreciate both of them so much and I was so excited when this track came out...
E: The first chapter of Big Friendship is called “The Spark.” They talk a little bit about how friends like to tell their origin stories and it’s interesting to see what parallels they have, or what one person noticed and the other person had a different observation. So I guess I’ll start with how we both were drawn to our college radio station back when we were freshmen. For me, I was totally there on a whim. I just went up there because I saw someone I recognized at the booth, we started talking about the radio and I thought, “You know, that sounds like a cool thing to do. I like music.” And I signed up.
AP: For me, I saw this radio station, I didn’t know that this was even a possibility. I grew up in suburban South Florida where any kind of independent music really wasn’t a thing and that’s what I was craving. It was definitely something I was doing out of my comfort zone, but it was kind of just something I knew I needed to do.
E: Your draw to the radio station was a little bit more intentional than mine [laughs]
AP: [laughs]
E: But just how opposite those were… I would say things sort of took off during the winter quarter because separately we were shadowing DJs, passed our on air demos, and then we both applied for shows. I again stumbled upon this by accident because I happened to be going into the station when Allison was setting up for her show. Allison was always wearing these long flowing skirts, which was very impressive to me because it was freezing where we were going to school. It was up North, very cold. I was in at least four layers minimum. She just looked so at home when she was going through the new bin music. We were usually the only two there in the morning.
AP: The thing I remember about you is your boots. I don’t know why…
E: [laughs]
AP: …that that is the thing I remember about your appearance.
E: Yeah, because the rest of me was bundled up in four layers.
AP: And I think maybe I thought “how is another person even up this early?” ‘Cause I had - it wasn’t super early, but...
E: It was college early.
AP: Yeah, 9-11 show in the morning and I definitely was the only one there, aside from you, playing music or digging through the library or whatever. It was before our friendship even started, but it’s just a beautiful fact that you were there for me before I even knew… We do have a best friendiversary date and it is because I am the lunatic that saves all of the concert tickets that she ever goes to.
E: Uh, more like genius.
AP: [laughs] That’s where I’m going to start. January 23 of 2013, we were in Rochester, New York at a venue called Water Street Music Hall there to see, at the time, my all time favorite band Walk the Moon. They had just that previous summer released their debut record, which is still one of my favorites - it’s just so jovial and reminds me of summer. I don’t know at what point in the show, but I just turned around and scanned the crowd and I saw you in the crowd and I was like “oh, that’s someone I recognize from the radio station.” I just kind of logged it in my brain as “oh, that’s so cool she’s here. I don’t really know anyone else at the station who likes Walk the Moon.” I felt like everyone kind of wrote them off and I was just someone who was so excited about them and it was kind of frustrating that I couldn’t talk to anyone about them, so seeing you in the crowd was just like that first connection. I don’t even know if you saw me there...
E: Yes, I was still making decisions on a whim so I can’t even remember what drew me to go to that concert specifically except if I could guess, I remember we had their debut in our new bin at one time. I remember playing it a few times and just being like, “I kind of dig this. I like it.” And maybe I was just looking for concerts in the area and saw that one come up… But I do recall the next day when we both showed up at the All Member Meeting for our radio station and I think you were sitting down first. I happened to see an open seat and I was like “you know what? I’m gonna go there.” [laughs]
AP: [laughs]
E: So we ended up sitting next to each other at the all member meeting and I remember you commented on the “X’s” on my hands. You asked “Were you at that concert last night?” And I said, “Yeah I was.” And I mentioned to you - I was a little embarrassed about this fact, but it had been my first ever concert. But when I said that to you, your eyes lit up immediately and you just exclaimed “That’s such a good concert to go to!” And I remember just having this sense of relief. I think just that entire conversation that night I was like, “This person will be my friend. I know it.”
AP: I will say, I have to give 19 year old Allison a pat on the back because I saw the “X’s” on your hands and I remembered that I saw you there. So it was a very intentional ice breaker question, which is something I still kind of struggle with. I’m just very proud of my younger self that I actually initiated conversation with you.
E: Yeah, you know actually I’m glad you mentioned that because I am also proud of you for the same reason… This next track is from the husband-wife duo Tennis called “Need Your Love.” I was released as a single earlier this year and is also part of their latest album called Swimmer. Again, another beautiful release. We’ve been following Tennis since their debut album as well and I actually had the wonderful chance to see Tennis live with Allison in Chicago. Their harmonies are also beautiful. This track, what I especially like is the change in tempo that they have for the chorus - because you don’t see it coming. You just are sort of vibing and they’ve got these great melodies going and then they slow it down for you and her voice takes over as she sings the chorus to “Need Your Love.” I would also add that this track is a good sentiment for us as well. We need the love from each other and are more than happy to give it. So, here is “Need Your Love” by Tennis on She’s Wildewoman, Episode 7.
[Play “Need Your Love” by Tennis]
[Play “Honey” by Robyn]
AP: You just heard “Honey” by Robyn. What a track, for timeless sake… You called my attention to this track. I was not a big Robyn fan before her 2019 record Honey, which seems crazy for me to say now because I absolutely love her and appreciate her in every single aspect of her musical career.
E: It’s true. I was just about to say I don’t remember a time where I could separate you and Robyn. [laughs]
AP: [laughs]
E: So, this is very pivotal that that happened. Wow.
AP: It also just kind of speaks to how connection to music can change over time depending on where you are. I think at the time when I first heard “Call Your Girlfriend” I just didn’t understand the appeal of this hyper-pop, dance song and that’s just because I wasn’t connected to that kind of music at the time. Whereas now, it’s kind of what keeps me going.
E: I’m glad that you mentioned your tastes expanding a little bit more…. Stepping into sophomore year, we were starting to learn the ropes and I think we both held officer positions at that point, so [we’re] starting to see a little bit of leadership within the station and we scheduled to have back to back shows on Tuesdays. We started calling it “Twinsy Tuesdays” because we would show up matching with each other. [laughs]
AP: [laughs]
E: The level of dedication - it’s real. What was also fun with us doing these back to back shows - we had a lot of overlap with our song choices and it dawned on us we should do a joint show. And kind of similar to our format now, going back and forth, we would be sharing music that was on each other’s radar.
AP: I did some digging - I did some very intense Facebook digging. What we called our “joint show,” Thursday evenings from 7-9pm. In addition to doing this show we also had our separate personal shows, so we were just on overtime… We would always alternate who would start off the show. So like the first hour, I would take over… At the time, my DJ name was Anna Sun. Eta was Silouhetta, which I think is so beautiful because at the time we always saw it as the opposites, right? Night and day. But in reality, they’re compliments of one another… Eta would just join in the conversation with me and we would swap positions for the second hour.
E: You know what would be fun? If we dug up one of those shows and had a little listening session together [laughs]
AP: Oh, my gosh. I have so much compassion for those of ourselves in that moment in that very specific period of time in our lives.
E: I agree and I think a good track to go along with this is “Everything Is Embarassing” by Sky Ferreira lined up. Because of the radio station, it’s how we were introduced to Sky Ferreira.
AP: We connected to it on such a bigger level. It’s just beautiful.
[Play “Everything Is Embarrassing” by Sky Ferreira]
[Play “Cheap Queen” by King Princess]
AP: You are listening to the radio edition of She’s Wildewoman here on Drawstring Magazine and you just heard “Cheap Queen” by King Princess, another artist that Eta, you actually introduced me to by putting her on our 2018 playlist. You put her single “1950” on there and it was a track that I fell in love with. She kind of, low key played a pivotal part in helping me figure out my queerness because she was just one of the first artist I really loved who was so openly queer and embraced that spectrum that she lives on and owns just every part of it and isn’t afraid to be herself. Or maybe she is, but doesn’t show it in her music and is very unapologetic.
E: I think it adds that much more fondness and specialness to this track and to each other. This album was a heartbreak album and I was very attached to this album as well. It goes through I think a lot of emotional waves of heartbreak - there’s “Hit the Back” at the end which kind of is the overcoming of that feeling, but some of the tracks like “Do You Want to See Me Crying,” “Trust Nobody,” also “Watching My Phone” are all on a somber note and just in those lower points of heartbreak. The loneliness, trying to reconcile what happened, what to do with the memories. It really, it was well done…
AP: As we entered our junior year of school, we took on the very big task of having a specialty show as well.
E: Basically, when you had the daytime programming all of the music was funneled in from the record labels, from people’s recommendations, so you had stuff to choose from. It was still open ended in that you were the one picking out the artists and deciding on the sequence. For specialty shows, you were in charge of the theme and curating the entire music library and sticking to your theme. There was a weekly commitment, two hours just like the day time programming. We were kind of ready to extend ourselves a bit.
AP: What was your specialty show? Tell us a little bit about it.
E: My specialty show was called the Diva Zone and it was centered around 70s disco, funk, and soul. For me, it was the passion in a lot of the songs and how some of the soul artists moved into a disco type format. The history of disco is really interesting as well, just how it started as an underground movement and sort of provided a haven for the LGBTQ community as well as People of Color. The fact that it was sort of against the commercialized radio too was sort of a fun part to observe. People came up with creative ways to beat match or to loop instrumentals. There was a lot of creativity going on with disco that people don’t give it credit for sometimes. I got into disco purely for the sound at first, but it turned into an educational opportunity and a chance to keep that sound alive.
AP: It’s under appreciated, but it’s everywhere. People don’t even realize it. So many people are influenced by things that happened because of disco music that they aren’t even aware of.
E: I would agree. I think some of the tracks that you and I exchange have some of those disco influences. I had a lot of fun with it. I was starting to collect vinyl at the time, so it was a way for me to expand that library… You had already gotten your feet wet with specialty shows.
AP: Yeah, so I hosted a specialty show called GIRL POWER, which focused around women, femme, and I’m going to include non-binary people. I know at the time it wasn’t kind of at the forefront, but I remember not excluding them… How I observed a specialty show, mainly hosted by community members from the greater Rochester area, and the way I kind of saw them was as an educational opportunity, which is why we were allowed to bring in music beyond the library that our radio station had. And it also helped me form the format of my show. Instead of doing kind of like a mixtape show, like what we were used to with the daytime programming - a one song, by one artist that can’t repeat situation - I would kind of pick a theme or a genre of music within women, femme fronted bands or all femme groups and would do a deeper dive into their music catalogue and just kind of talk about the band more and their evolution. Because I just didn’t believe that you could capture someone’s career with one track... If I were to have that same specialty show currently, one of the artists I would for sure feature and talk about is a local artist, Jamila Woods. Both of the records she’s released are amazing, but her most recent record, called LEGACY! LEGACY! that came out last year in 2019, is just so beautiful. It’s always going to hold a top spot in my all time favorite records list. It’s just conceptually, musically, poetically 1,000 out of 10. We’re going to play the opening track called “BETTY.” It’s a beautiful opening track for the whole record and I am a sucker for good openers. She is unapologetic about who she is and what she stands for and it really comes through in the track. Everyone needs to hear it basically.
[Play “BETTY” by Jamila Woods]
[Play “Silent Disco” by Starchild & The New Romantic]
E: That was “Silent Disco” by Starchild & The New Romantic. You’re catching it on the radio edition of She’s Wildewoman, number 7. This track that we just heard was the single released for his album, Forever. Came out in June of this year. I think it’s stunning and really well done. If you’re looking for a modern take on R&B, Starchild & The New Romantic is the artist you need to be following. I found out about Starchild & The New Romantic through Chairlift actually. [laughs]
AP: Woah!
E: Because he was their opener when they were touring back in 2016. He just has this magnificently soft, but smooth voice. And just the aura that he gives off when he’s in a room and how you- you watch him sort of get lost in his music as he’s playing it.
AP: So, so beautiful. He went on tour with Chairlift, you said in 2016, which was their last, like, farewell tour, right? Before they broke up… And it was also the year that I graduated which was also - it was just kind of an end of an era for us because you were in school a year longer than I was. So it was just the last year that we were going to be in the same city.
E: After Allison had graduated, we had to adjust to how we were going to be sharing music. Most of it had been in person. And one logical way to do it was to start these collaborative playlists for each other. It actually made our music sharing exponential. [laughs]
AP: [laughs]
E: We were already sharing a lot of music but I remember it was at each other’s leisure, just add tracks. And I would come back and Allison had added 10 new songs. [laughs]
AP: [laughs]
E: I think another fun part about these collaborative playlists was sometimes I couldn’t tell which of us had added the song [laughs], because it could actually be either of us. Like that was the level of connection these playlists had for us.
AP: I want to talk about how we kind of got to a collaborative playlist… It started out as Eta making playlists for me, like mix CDs, and basically any kind of gift giving occasion, you would give me a mix CD. And it took me a very long time to make you one because I was just so nervous. Your mix CDs were top notch and I just like… I was terrified that I couldn’t match your skill. I eventually did, and we started then exchanging mix CDs. We also shared music- Do you remember the Spotify inbox?
E: Ohhh my gosh, I do! [laughs]
AP: Right?!
E: Wow, yes!
AP: Like, that was… that was SO important to our friendship.
E: It was, like, that was exploding before our playlists.
AP: I was so upset when they took that function away because we… it was… you could chat in this inbox - you know, share music and chat...
E: Right, right.
AP: So we would send each other tracks and then have conversations about it and we lost all of that!
E: Yes! [sighs] Spotify, hear us out… [laughs]
AP: [laughs] I know, I- we’re going to bring it back, just by them hearing us talk about it.
E: Exactly.
AP: Then it evolved when you came to visit in January of 2018. I coaxed you up to Chicago in the middle of winter because St. Vincent was here. I was getting ready to share a playlist with you and then you were like, “I have this idea of doing a collaborative playlist where we can just add songs that we both love.” And it’s turned into songs that we both love personally but also songs that we think the other person would enjoy.
E: Yesss, I do love that element about it because, for me, and I’m sure this happens to you too, where I will put a track purposefully and be like, “This is an Allison track.” And I also in turn enjoy jamming to it because I feel your presence with me.
AP: And I do the same, so it’s beautiful. And then we turned it into doing it every year to serve as kind of a time capsule for the year we have experienced together… We are gonna go into another track. This one is by another local Chicago artist, Tasha. And this song… is so beautiful. It’s her new single, “But There’s Still the Moon.” Words from her website: “She’s an artist and activist who celebrates the radical political act of being exquisitely gentle with yourself.” Being kind to yourself is kind of a radical act and it is something that I’m working on, that I’ve always struggled with, and it’s just another way that music is kind of helping me do that in a way of personal growth. We’re going to hear her new single, “But There’s Still the Moon” here on She’s Wildewoman Number 7, Radio Edition.
[Play “But There’s Still the Moon” by Tasha]
[Play “Inner World” by Dirty Projectors]
E: Welcome back to She’s Wildewoman Episode 7 on Drawstring Magazine. You just heard a track from the Dirty Projectors called “Inner World.” They’ve been releasing a series of EPs lately and I recall listening to Flight Tower and just loving every track on that album. I learned that they were releasing an EP for each member of their group, who’d be the main vocalist for that chosen EP.
AP: That’s such an amazing concept. I love that so much, on so many levels.
E: Oh, yeah. Felicia Douglass’ voice in that track you just heard, “Inner World,” and just all the other songs, is so, so wonderful. She’s complimented so well by the other instruments in the song. I think for “Inner World,” I love how it starts with kind of that tinkering beat in the background and then when she goes into the chorus of “Inner World” you hear the gentle strumming of an acoustic guitar. It’s just really well done.
AP: Couldn’t agree more… I think we both know that our journey with radio did not end when we graduated from college. We both are still participating in respective radio stations.
E: I joined the station WFIT 89.5 in 2018. I kind of lived near the station at one point and I saw it from one of the main roads and kind of knew in my heart that I would at one point approach them… You know, if they had a position open or something. Anyway I could help, even if I was just volunteering, I thought I would have a lot of fun just being back in radio. They said, “Go ahead and send a demo and we’ll take a listen and we’ll let you know if anything opens up.” So in February of 2018, I got an email that there was a space open to host a show Friday night. And I thought to myself, “What a perfect opportunity to bring disco back to the airwaves.” [laughs] So, without hesitating I replied yes. The show is called Airwave Aerobics and it’s hosted by DJ Etamame - your healthy dose of disco, funk, and soul for your Friday night. It is an all vinyl show. Now that I have grown so much with my understanding of disco, funk, and soul music and my library has expanded so much - if I were to compare it with the Diva Zone I think it had just a… it’s more polished. I have been sort of playing around with beat matching on the side. You find new ways to grow with stuff that you’re so used to doing… Airwave Aerobics streams Friday nights, 10pm Eastern Time, WFIT.org.
AP: And my involvement with radio, honestly - in Chicago - started even before I moved here. I did research just to see what radio stations were in Chicago and what stations would allow community members to participate either in working behind the scenes or, I mean, I wanted to have a show again. I joined CHIRP 107.1FM, a low-power, volunteer run community station, a month after I moved here? It was just - the timing was perfect. I moved here in April. A few weeks later, they were having a new volunteer orientation that I was able to go to, to get involved right away. I started having my own show - it was 6-9am on a Tuesday morning, very, very early. It was similar to kind of our daytime programming in college. The programming philosophy of the station is very much local focused, independent artists, up-and-coming acts. One thing that I personally liked to do for my show was I tried to re-contextualize music. Kind of putting two tracks next to each other that you wouldn’t normally hear otherwise, but really flowed well together... In my time as a Music Director, and short time as a DJ, I have discovered the local group DRAMA, who are amazing. They are a duo that make soft dance music. It’s just very low key, but - it’s the kind of music that you dance to when you are at work sitting down at your desk. They know how to amp it up too, so you can dance to it in real life. It’s just very versatile. The track kind of stands out from what they normally make. It’s a track called “Give No Fucks.” It is a track that does that. It is strong and powerful and is a really good dance track. So, here is “Give No Fucks” by DRAMA here on She’s Wildewoman Number 7, radio edition.
[Play “Give No Fucks” by DRAMA]
[Play “Glitter and Blood” by SuperKnova]
E: You just heard from the local singer, SuperKnova - another powerful track called “Glitter and Blood” here on She’s Wildewoman Number 7. I’m DJ Etamame with...
AP: Wildewoman.
E: I was blown away with the debut album American Queers. One of my favorite B-sides from this album is “Serotonin Serenade.”
AP: I found her music through CHIRP and around the same time you had added one of her tracks to our playlist and I did a double take. I was like “Oh my gosh!”
E: And I was so delighted when you said that you knew exactly who she was. I was like “Oh my gosh, wow. Wonderful.”
AP: I love how music has connected us from the very beginning. And obviously, it’s not the only way that we share our lives, but it’s definitely a big part. And it just... it speaks to how music genuinely can bring people together.
E: Absolutely. I’ll also add about the growth that we’ve experienced just as people and the parallels we can draw to the music we’ve listened to, have discovered, or have yet to discover. It’s just a continuous journey that - to find a bond with somebody who shares the same passion you do about something such as music, is great. So I can value my growth through music not just through the lyrics and melodies it offers, but for the fact that it introduced and strengthened the bond I have with one of the most important people in my life, being you, Allison.
AP: I feel like, at least for me, that sappy rom-com love story has been… that story is our friendship and we have gone through ups and downs together, and that only makes us stronger, but I am forever grateful that love story has been with you because I know that we.. we’re in it for the long haul… I wanna say thank you, Eta for talking with me and for listening to music with me today. I have loved every single second of it, as always.
E: Thank you so much for having me be on your show and the column. I am a huge fan and supporter of She’s Wildewoman and Wildewoman herself.
AP: Without further adieu, here is Dan Croll with his track “Home.” You’re listening to She’s Wildewoman Number 7 on Drawstring Magazine, radio edition.
[Play “Home” by Dan Croll]
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